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Sprache

Typ

Zugang

Format

Zeitlich

Geographisch

Nutzerkonto

Anonymous: The Staging of the Storming of the Winter Palace (1920)

The Staging of the Storming of the Winter Palace (1920)
(S. 134 – 135)

pgratis

Anonymous

The Staging of the Storming of the Winter Palace (1920)

PDF, 2 Seiten, 0.0 MB

Revolution
Geschichte der Fotografie
Russland
Historische Dokumente

Inke Arns (Hg.), Igor Chubarov (Hg.), ...: Nikolai Evreinov: »The Storming of the Winter Palace«

b€ 30,00 p€ 30,00

Inke Arns (Hg.), Igor Chubarov (Hg.), Sylvia Sasse (Hg.)

Nikolai Evreinov: »The Storming of the Winter Palace«

Broschur, 320 Seiten

PDF, 320 Seiten, 0.0 MB

In 1920, the third anniversary of the October Revolution, The Storming of the Winter Palace was performed with a cast of 10,000. But as a reenactment this mass spectacle, directed by Nikolai Evreinov, was deceptive. It was intended to recall something—the storming of the Winter Palace as the beginning of the revolution—that it itself produced as a theatrical medium. This volume reconstructs the event with texts, photographs, and drawings, and shows how not only in the Soviet Union did the photograph of the theatrical “storming” become a historical document of the October Revolution.

Inhalt

7–20

Foreword

Sylvia Sasse
21–22

The Storming of the Winter Palace (1920)

Nikolai Evreinov
23–29

The Storming of the Winter Palace. An article by the production’s director-in-chief (1920)

Nikolai Evreinov

p€ 7,95
30–49

The Storming of the Winter Palace. Recollections of the staging to celebrate the third anniversary of the October Revolution (unpublished typescript, 1924)

Nikolai Evreinov

p€ 9,95
50–54

The Storming of the Winter Palace. Recollections of the staging to celebrate the third anniversary of the October Revolution (1924)

Nikolai Evreinov

p€ 7,95
55–58

Open-Air Theater (1920)

Konstantin Derzhavin

pgratis
59–60

A Miracle (1920)

Konstantin Derzhavin

pgratis
61–63

The Mass as Such (1920)

Konstantin Derzhavin

pgratis
64–66

The Storming of the Winter Palace. On the fifth anniversary of the staging (1925)

Konstantin Derzhavin

pgratis
67–68

What is required of the Audience during the Production (1920)

Iosif Slepian, Dmitri Tëmkin

pgratis
69

November Eight 1920 (1920)

Lev Nikulin

pgratis
70–74

Baltic Sea (1932)

Lev Nikulin

p€ 7,95
75–80

On Mass Actions and More Important Things (1932)

Sergei Radlov

p€ 7,95
81–87

Nikolai Evreinov (1960)

Iuri Annenkov

p€ 7,95
88–91

Mass Spectacles (1960)

Nikolai Petrov

pgratis
93–128

Photographs of the 1920 staging in sequence

p€ 14,95
131

Announcement of the Decoration of Petrograd during the Third Anniversary Celebrations of October (1920)

Anonymous

pgratis
132–133

On the October Celebrations (1920)

Vlagin

pgratis
134–135

The Staging of the Storming of the Winter Palace (1920)

Anonymous

pgratis
136–137

An Exhibition in Memory of the Great October (1920)

F. Lenski

pgratis
138

At a Rehearsal for the Staging of The Storming of the Winter Palace (1920)

Anonymous

pgratis
139

Motion Pictures and the Staging of The Storming of the Winter Palace (1920)

Anonymous

pgratis
140–141

The Storming of the Winter Palace. An Eye-Witness Report (1920)

Anonymous

pgratis
142

Proletarian Action. At the Staging The Storming of the Winter Palace (1920)

Anonymous

pgratis
143–147

On Uritski Square (Impression of a Muscovite) (1920)

Nikolai Shubski

p€ 7,95
148–151

The Storming of the Winter Palace (1920)

Anonymous

pgratis
152–158

The Chaos of the Arts (1921)

Arthur Holitscher

p€ 7,95
159–166

The Pageants of 1920 (1922)

Adrian Piotrovski

p€ 7,95
167–176

The Successes of the New Theater (1922)

Platon Kerzhentsev

p€ 7,95
177–196

Theatricalized Life (1926)

René Fülöp-Miller

p€ 9,95
197–211

The Monumentalist Style of the Revolutionary Spectacles (1930)

Nina Gourfinkel

p€ 9,95
212–215

The Theaters and Pageants of Petrograd in the Epoch of War Communism (1933)

Aleksei Gvozdev, Adrian Piotrovski

pgratis
216–222

Cinema and Theater. Nikolai Evreinov (1943)

Sergei Eisenstein

p€ 7,95
225–231

History is Written with the Lens (1971)

Leonid Volkov-Lannit

p€ 7,95
233–253

Photographs of the theatrical storming of the Winter Palace as historical documents

p€ 14,95
257–263

Nikolai Evreinov‘s “Revolution In Itself”

Igor Chubarov
269–279

“History is Written with the Lens”: How the Photo of the Theatrical Storming becomes a Historical Document

Sylvia Sasse

p€ 9,95
281–289

Battlefield History: Artistic Reenactments as Participatory Deconstructions of History

Inke Arns

p€ 7,95
293–302

List of figures
303–315

Glossary
317–320

Index

Themen

Sprache

Typ

Zugang

Format

Kategorien

Zeitlich

Geographisch

Nutzerkonto

7–20

Sylvia Sasse

21–22

Nikolai Evreinov

23–29

Nikolai Evreinov

30–49

Nikolai Evreinov

50–54

Nikolai Evreinov

55–58

Konstantin Derzhavin

59–60

Konstantin Derzhavin

61–63

Konstantin Derzhavin

64–66

Konstantin Derzhavin

67–68

Iosif Slepian, Dmitri Tëmkin

69

Lev Nikulin

70–74

Lev Nikulin

75–80

Sergei Radlov

81–87

Iuri Annenkov

88–91

Nikolai Petrov

93–128

131

Anonymous

132–133

Vlagin

134–135

Anonymous

136–137

F. Lenski

138

Anonymous

139

Anonymous

140–141

Anonymous

142

Anonymous

143–147

Nikolai Shubski

148–151

Anonymous

152–158

Arthur Holitscher

159–166

Adrian Piotrovski

167–176

Platon Kerzhentsev

177–196

René Fülöp-Miller

197–211

Nina Gourfinkel

212–215

Aleksei Gvozdev, Adrian Piotrovski

216–222

Sergei Eisenstein

225–231

Leonid Volkov-Lannit

233–253

257–263

Nikolai Evreinov‘s “Revolution In Itself”

Igor Chubarov