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The Formation of Cosmogonies: Camille Henrot
(S. 163 – 176)

p€ 7,95

Julia Gelshorn, Tristan Weddigen

The Formation of Cosmogonies: Camille Henrot

PDF, 14 Seiten, 0.0 MB

• Theodor W. Adorno
• Ästhetik
• Kunst
• Kunsttheorie

Meine Sprache
Deutsch

Aktuell ausgewählte Inhalte
Deutsch, Englisch, Französisch

Ändern

Julia Gelshorn

ist Professorin für Kunstgeschichte an der Universität Fribourg. Forschungsschwerpunkte: Kunst vom 18. Jahrhundert bis in die Gegenwart, Prozesse künstlerischer Aneignung, Wiederholung und Übersetzung, künstlerische Subjektivitäts- und Autorschaftskonzepte, Körper­bilder.

Weitere Texte von Julia Gelshorn bei DIAPHANES

• 

  Formierung von Kosmogonien: Camille Henrot

  In: Dieter Mersch (Hg.), Sylvia Sasse (Hg.), Sandro Zanetti (Hg.), Ästhetische Theorie

  p€ 9,95

Tristan Weddigen

ist Direktor an der Bibliotheca Hertziana (Max-Planck-­Institut für Kunstgeschichte in Rom) und Professor für Kunstgeschichte der Neuzeit an der Universität Zürich. Forschungsschwerpunkte: italienische Kunst und Kunsttheorie der Frühen Neuzeit, Geschichte der Kunstwissenschaft.

Weitere Texte von Tristan Weddigen bei DIAPHANES

• 

  Formierung von Kosmogonien: Camille Henrot

  In: Dieter Mersch (Hg.), Sylvia Sasse (Hg.), Sandro Zanetti (Hg.), Ästhetische Theorie

  p€ 9,95

b€ 40,00 p€ 40,00

Dieter Mersch (Hg.), Sylvia Sasse (Hg.), Sandro Zanetti (Hg.)

Aesthetic Theory

Broschur, 272 Seiten

PDF, 272 Seiten, 0.0 MB

There is no theory that is not aesthetic in a certain way. Adorno, too, did not understand his aesthetic theory simply as a theory of the aesthetic, but was aware of the aesthetic implications of theory. At the same time we have to do with aesthetic objects and events in which an aesthetic theory is inherent, which show themselves as art. So from both sides—theory and aesthetics—a link can be made to the etymological meaning of theoria, which understands the theoretical as a seeing or perspective. The book examines this link and simultaneity, focusing equally on the aesthetic implications of theory and the theoretical implications of aesthetic events.

 

With contributions by Frauke Berndt, Elisabeth Bronfen, Sandra Frimmel, Julia Gelshorn & Tristan Weddigen, Fabienne Liptay, Dieter Mersch, Klaus Müller-Wille, ­Barbara Naumann, Boris Previsic, Dorota Sajewska, ­Sylvia Sasse, Rahel Villinger, Benno Wirz, Sandro Zanetti.

Inhalt

• 7–20

  Introduction

  Dieter Mersch, Sylvia Sasse, ...

  p€ 9,95

• 21–36

  Rock Sample: Alexander Gottlieb Baumgarten

  Frauke Berndt

  p€ 7,95

• 37–52

  Theory as Resonance: Denis Diderot

  Boris Previsic

  p€ 7,95

• 53–68

  Theory as Narrative: Sigmund Freud

  Elisabeth Bronfen

  p€ 7,95

• 69–86

  Auratic Theory: Walter Benjamin

  Sandro Zanetti

  p€ 7,95

• 87–108

  Material Aesthetics: Asger Jorn

  Klaus Müller-Wille

  p€ 12,95

• 109–124

  The Theoretical Act

  Sylvia Sasse

  p€ 7,95

• 125–142

  Necroperformance: Theory as Remains

  Dorota Sajewska

  p€ 7,95

• 143–162

  Practical Epistemology: William Kentridge

  Fabienne Liptay

  p€ 7,95

• 163–176

  The Formation of Cosmogonies: Camille Henrot

  Julia Gelshorn, Tristan Weddigen

  p€ 7,95

• 177–198

  Facing the Text: Julian Rosefeldt

  Barbara Naumann

  p€ 12,95

• 199–218

  Aesthetic Judgment: Alexander Kluge

  Rahel Villinger

  p€ 7,95

• 219–236

  Aesthetic Thinking: Art as theoria

  Dieter Mersch

  p€ 7,95

• 237–252

  Shadows of Theory: Figures of Thought

  Benno Wirz

  p€ 7,95

• 253–266

  Notes on the Cover: Yuri Albert’s Figurative Thinking

  Sandra Frimmel

  p€ 7,95

• 267–268

  List of illustrations

• 269–272

  About the authors

  Dieter Mersch

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