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Model::schema() - CORE/cake/libs/model/model.php, line 938
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Zeitlich

Geographisch

Nutzerkonto

Anna Kipke, Mimmi Woisnitza: Manifestation, Collectiveness, Documentation: Thinking About Intervening Arts in Terms of Concept and Practice

Manifestation, Collectiveness, Documentation: Thinking About Intervening Arts in Terms of Concept and Practice
(S. 9 – 34)

pgratis

Anna Kipke, Mimmi Woisnitza

Manifestation, Collectiveness, Documentation: Thinking About Intervening Arts in Terms of Concept and Practice

PDF, 26 Seiten, 0.0 MB

Institutionenkritik
Performance-Kunst
Öffentlichkeit
Künstlerische Praxis
Aktivismus
Gegenwartskunst

Anna Kipke

Anna Kipke is a doctoral researcher at the Collaborative Research Center 1512 “Intervening Arts” at Leuphana University Lüneburg and Free University Berlin. Her research interests include the history and theory of modern and abstract art, the historiography of artistic practices, and trauma and healing as themes in twentieth and twenty-first century art. In her current PhD project “Emma Kunz, Therapeutic Lines,” she examines therapeutic practices as artistic methods of intervention between 1930–1960. She has co-edited a volume on art criticism and writes in the field.

Weitere Texte von Anna Kipke bei DIAPHANES

On Puppets, Dolls, and Harlequins: Textile Constellations between Emma Kunz and Eva Aeppli
In: Anna Kipke (Hg.), Iryna Kovalenko (Hg.), Laura Rogalski (Hg.), Simon Teune (Hg.), Mimmi Woisnitza (Hg.), Drafts in Action

pgratis

Mimmi Woisnitza

Mimmi Woisnitza is a postdoctoral researcher at the Collaborative Research Center 1512 “Intervening Arts” at Leuphana University Lüneburg and Free University Berlin. As a theater scholar and cultural historian, her research focuses on revolutionary theater practices in the early twentieth century from a feminist perspective. Within CRC 1512, she is pursuing a project on the intersection of life and art in Latvian theater maker Asja Lācis’ relational theater practice and its reception.

Marla Heid, Henning Podulski, ...: Gegen/Öffentlichkeiten

Weitere Texte von Mimmi Woisnitza bei DIAPHANES

The Stakes of the Stage: Piscator’s Scenography as a Practice of Critique and Benjamin’s Discontent with the “Zeittheater”
In: Sami Khatib (Hg.), Holger Kuhn (Hg.), Oona Lochner (Hg.), Isabel Mehl (Hg.), Beate Söntgen (Hg.), Critique: The Stakes of Form

p€ 14,95
On the “Promise!” of Revolutionary Art Practices: Situating Asja Lācis’ “New Tendencies in Theater” (Riga, 1921)
In: Anna Kipke (Hg.), Iryna Kovalenko (Hg.), Laura Rogalski (Hg.), Simon Teune (Hg.), Mimmi Woisnitza (Hg.), Drafts in Action

pgratis

Anna Kipke (Hg.), Iryna Kovalenko (Hg.), ...: Drafts in Action

b€ 45,00

Anna Kipke (Hg.), Iryna Kovalenko (Hg.), Laura Rogalski (Hg.), Simon Teune (Hg.), Mimmi Woisnitza (Hg.)

Drafts in Action
Concepts and Practices of Artistic Intervention

Broschur, 268 Seiten

PDF, 268 Seiten, 0.0 MB

How do practices of artistic intervention engage with conceptual frameworks, in particular when it comes to location, institutional context, as well as human and non-human relations? What are the historical and theoretical references that fuel current approaches within the arts—performative, participatory, intervening—and in what ways do these references infer a certain tension between concepts and actions, between objectives and practices? And in what ways do these debates provide possible tools for the analysis of artistic intervention today?

This volume addresses the potentials and challenges of different forms of intervention at the intersection of activism and artistic fields and practices. The contributions, written by scholars from art history, sociology, literary and performative studies as well as art practitioners, present case studies that shed light on artistic practices that respond to geopolitical, socio-cultural, and ecological crises, as well as on curatorial projects, the organization of collectives and the role of institutions within the art field and academia. Individual contributions are accompanied by short interviews that give room to dialogues among the authors.

Taking a multidirectional approach that accounts for the positionality of perspectives and highlights the non-directional formation of the interventions at hand, the anthology presents and discusses current tools, methods, and analytical frameworks to address artistic interventions.

With contributions by Raphael Daibert, Agata Jakubowska, Amelia Jones, Anna Kipke, Iryna Kovalenko, Premesh Lalu, Natalia Moussienko, Alia Rayyan, Laura Rogalski, María Laura Rosa, Franka Schäfer, Paula Serafini, Valeria Schulte-Fischedick, Simon Teune, and Mimmi Woisnitza.

Inhalt

7–8

Preface

pgratis
9–34

Manifestation, Collectiveness, Documentation: Thinking About Intervening Arts in Terms of Concept and Practice

Anna Kipke, Mimmi Woisnitza

pgratis
37–58

Performing Absence as Intervention: The Case of Lee Lozano

Amelia Jones

pgratis
59–66

Collective Performance and the Cuerpo-territorio

Paula Serafini

pgratis
67–74

Questions of What Remains

Raphael Daibert

pgratis
75–90

On the “Promise!” of Revolutionary Art Practices: Situating Asja Lācis’ “New Tendencies in Theater” (Riga, 1921)

Mimmi Woisnitza

pgratis
93–108

Socially Engaged Art Practice in Jerusalem: A Critical Reflection on Public Space Art Engagement

Alia Rayyan

pgratis
109–122

The Work of Art in the Wake of Apartheid

Premesh Lalu

pgratis
123–136

Rethinking Objectives, Theory and Practice: Studying Artists’ and Activists’ Perspectives on Impact in Empirical Research

Laura Rogalski

pgratis
137–148

Theory is & in Practice: On the Relationship Between the Theoretically Intended and Practical Logic of Interventions

Franka Schäfer

pgratis
151–158

Theory, Positionality, and the Public Space. Interview by Anna Kipke and Simon Teune

Alia Rayyan, María Laura Rosa

pgratis
161–170

Manifesto—Manifest—Manifestation: The Creation of Collectivity Through Text

Simon Teune

pgratis
171–182

Estado de Emergencia: Addressing (Trans) feminicide through Feminist Art and Activism

María Laura Rosa

pgratis
183–196

“I feel that the grotesque will turn into a Molotov cocktail”: Actions of Ukrainian Art Groups Before the Revolution of Dignity (2010–2013)

Iryna Kovalenko

pgratis
197–204

Traveling Practices. Interview by Anna Kipke and Simon Teune

Agata Jakubowska, Paula Serafini

pgratis
207–220

Art and War in Ukraine

Natalia Moussienko

pgratis
221–234

MANIFEST Yourself! Visualizing and Contextualizing (Queer) Feminist Manifestos in an Exhibition

Valeria Schulte-Fischedick

pgratis
235–246

On Puppets, Dolls, and Harlequins: Textile Constellations between Emma Kunz and Eva Aeppli

Anna Kipke

pgratis
247–260

The Role of the University as an Institution. Interview by Anna Kipke and Simon Teune

Amelia Jones, Premesh Lalu

pgratis

Themen

Sprache

Typ

Zugang

Format

Kategorien

Zeitlich

Geographisch

Nutzerkonto

In: Anna Kipke (Hg.), Iryna Kovalenko (Hg.), Laura Rogalski (Hg.), Simon Teune (Hg.), Mimmi Woisnitza (Hg.), Drafts in Action

In: Sami Khatib (Hg.), Holger Kuhn (Hg.), Oona Lochner (Hg.), Isabel Mehl (Hg.), Beate Söntgen (Hg.), Critique: The Stakes of Form

In: Anna Kipke (Hg.), Iryna Kovalenko (Hg.), Laura Rogalski (Hg.), Simon Teune (Hg.), Mimmi Woisnitza (Hg.), Drafts in Action

7–8

9–34

Anna Kipke, Mimmi Woisnitza

37–58

Amelia Jones

59–66

Paula Serafini

67–74

Raphael Daibert

75–90

Mimmi Woisnitza

93–108

Alia Rayyan

109–122

Premesh Lalu

123–136

Laura Rogalski

137–148

Franka Schäfer

151–158

Alia Rayyan, María Laura Rosa

161–170

Simon Teune

171–182

María Laura Rosa

183–196

Iryna Kovalenko

197–204

Agata Jakubowska, Paula Serafini

207–220

Natalia Moussienko

221–234

Valeria Schulte-Fischedick

235–246

Anna Kipke

247–260

Amelia Jones, Premesh Lalu