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Concatenated Commons and Operational Aesthetics
(S. 241 – 269)

pgratis

Christoph Brunner

Concatenated Commons and Operational Aesthetics

PDF, 29 Seiten, 0.0 MB

• Urheberrecht
• Kunst
• Commons
• Autorschaft
• Digitale Kultur
• Ästhetik

Meine Sprache
Deutsch

Aktuell ausgewählte Inhalte
Deutsch, Englisch, Französisch

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Christoph Brunner

ist Juniorprofessur für Kulturtheorie am Institut für Philosophie und Kunstwissenschaf der Leuphana Universität Lüneburg.

Weitere Texte von Christoph Brunner bei DIAPHANES

• 

  Kon-/Disjunktion

  In: Isabell Lorey (Hg.), Roberto Nigro (Hg.), Gerald Raunig (Hg.), Inventionen 1

  p€ 5,95
• 

  Affective Politics of Timing. On Emergent Collectivity in Ragnar Kjartansson's »The Visitors«

  In: Marie-Luise Angerer (Hg.), Bernd Bösel (Hg.), Michaela Ott (Hg.), Timing of Affect

  p€ 9,95
• 

  Diagrammieren/diagrammatische Praxis

  In: Jens Badura (Hg.), Selma Dubach (Hg.), Anke Haarmann (Hg.), Dieter Mersch (Hg.), Anton Rey (Hg.), Christoph Schenker (Hg.), Germán Toro Pérez (Hg.), Künstlerische Forschung. Ein Handbuch

  p€ 4,95
• 

  Recherche-création

  In: Jens Badura (Hg.), Selma Dubach (Hg.), Anke Haarmann (Hg.), Dieter Mersch (Hg.), Anton Rey (Hg.), Christoph Schenker (Hg.), Germán Toro Pérez (Hg.), Künstlerische Forschung. Ein Handbuch

  p€ 4,95

Shusha Niederberger (Hg.), Cornelia Sollfrank (Hg.), Felix Stalder (Hg.)

Aesthetics of the Commons

Broschur, 276 Seiten

Vergriffen

PDF, 276 Seiten, 0.0 MB

What do a feminist server, an art space located in a public park in North London, a ‘pirate’ library of high cultural value yet dubious legal status, and an art school that emphasizes collectivity have in common? They all demonstrate that art can play an important role in imagining and producing a real quite different from what is currently hegemonic; that art has the possibility to not only envision or proclaim ideas in theory, but also to realize them materially.

 
Aesthetics of the Commons examines a series of artistic and cultural projects—drawn from what can loosely be called the (post)digital—that take up this challenge in different ways. What unites them, however, is that they all have a ‘double character.’ They are art in the sense that they place themselves in relation to (Western) cultural and art systems, developing discursive and aesthetic positions, but, at the same time, they are ‘operational’ in that they create recursive environments and freely available resources whose uses exceed these systems. The first aspect raises questions about the kind of aesthetics that are being embodied, the second creates a relation to the larger concept of the ‘commons.’ In Aesthetics of the Commons, the commons are understood not as a fixed set of principles that need to be adhered to in order to fit a definition, but instead as a ‘thinking tool’—in other words, the book’s interest lies in what can be made visible by applying the framework of the commons as a heuristic device.

Inhalt

• 7

  Preface

  pgratis

• 9–10

  Acknowledgments

  pgratis

• 11–38

  Introduction

  Cornelia Sollfrank, Felix Stalder

  pgratis

• 41–61

  Uploading our Libraries: The Subjects of Art and Knowledge Commons

  Olga Goriunova

  pgratis

• 63–79

  The Commons, the Public, and the Aesthetics of Solidarity

  Jeremy Gilbert

  pgratis

• 81–97

  Which “Aesthetics of the Commons”?

  Judith Siegmund

  pgratis

• 101–124

  Commoning the Commons: Revisiting the Role of Art in Times of Crisis

  Daphne Dragona

  pgratis

• 125–152

  In Search of Common Forms and Curatorial Epistemologies. On the Exhibition “OPEN SCORES: How to Program the Commons”

  Magdalena Tyzlik-Carver

  pgratis

• 153–177

  Postdigital Politics

  Gary Hall

  pgratis

• 181–197

  Situated Aesthetics for Relational Critique. On Messy Entanglements from Maintenance Art to Feminist Server Art

  Ines Kleesattel

  pgratis

• 199–216

  The Commons, Sociotechnical Imaginaries and Resistance

  Sophie Toupin

  pgratis

• 217–239

  What is “In Common” Here?. Transformed Relationships Between Art and Education on the Path to (Digital) Commons

  Rahel Puffert

  pgratis

• 241–269

  Concatenated Commons and Operational Aesthetics

  Christoph Brunner

  pgratis

• 271–275

  Authors and Editors

  pgratis

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