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Sprache

Typ

Zugang

Format

Zeitlich

Geographisch

Nutzerkonto

b€ 60,00 p€ 60,00

Walter Cupperi (Hg.)

Multiples in Pre-Modern Art

Gebunden, 304 Seiten

PDF, 304 Seiten, 0.0 MB

The making of artifacts in more than one specimen

In the last years replicated objects have gained an increasingly central position in the discourse about ancient, medieval and early modern art. ›Multiples‹, we are often told, lack uniqueness, invention, autonomy, and sometimes even authorship. Indeed, ›multiples‹ can be powerful multipliers – in that they enhance the ›aura of the originals‹ that they replicate – but they remain secondary indexes pointing to an ›original‹ imbued with significance. Yet, what happens if ›multiples‹ do not refer to other artifacts at all, or if they are associated with other ›multiples‹ rather than with a first version in the mind of their owners? What happened when serially-made ›multiples‹ were not quite identical to each other, as was the rule with pre-modern artifacts? What shaped their identity and the perception of them as identical?
This collection of essays explores different forms of interaction between the making of artifacts in more than one specimen and their reception before the nineteenth century. It addresses media such as metal, wax, plaster, terracotta, textiles, marble, ivory, porcelain, canvases and tables in an attempt to re-assess the current identification of the mediality of prints with that of pre-modern ›multiples‹ in general.

Inhalt

7–30

Never Identical: Multiples in Pre-Modern Art

Walter Cupperi

p€ 14,95
31–58

In the Roman Empire an Aura was a Breeze

Miranda Marvin

p€ 14,95
59–94

Antike Reproduktionsmedien. Münzen, Siegel und Stempel zwischen Serialität und Authentizität

Andreas Grüner

p€ 14,95
95–120

Die Magdeburger Aquamanilien des 12. Jahrhunderts als »Multiple«

Joanna Olchawa

p€ 14,95
121–146

Die Tapisserie. Ein auratischer reproduzierender Bildträger

Wolfgang Brassat

p€ 14,95
147–172

Über die Anfänge der Reproduzierbarkeit von Kleinbronzen in der italienischen Renaissance

Claudia Kryza-Gersch

p€ 14,95
173–200

»You Could Have Cast Two Hundred of Them«. Multiple Portrait Busts and Reliefs at the Court of Charles V of Habsburg

Walter Cupperi

p€ 14,95
201–228

»… Et sia ritratto nella forma medesima«. Das Florentiner Gnadenbild der SS. Annunziata und seine Repliken

Susanne Kubersky-Piredda

p€ 14,95
229–244

»A Certain Livelier Quality of Expression«. Bernini’s Two Versions of the Bust of Scipione Borghese

Stefano Pierguidi

p€ 9,95
245–270

The Same but Different. Baroque Ivories and Reproduction

Marjorie Trusted

p€ 14,95
271–294

Multiples, Authorship and the Eighteenth-Century Portrait Bust’s Aura

Malcolm C. Baker

p€ 14,95

Multiples
Kopie
Kunstgeschichte
Kunstwissenschaften
Serialität
Autorschaft
Index
Identität

Walter Cupperi

studierte Kunstgeschichte an der Universität Pisa und an der Scuola Normale Superiore di Pisa. Er ist Research Fellow am Kunstgeschichtlichen Institut der Ludwigs-Maximilians-Universität München. Seine Forschungsschwerpunkte sind: Kulturaustausch und transkulturelle Prozesse innerhalb der habsburgischen Herrschaftsgebiete in Europa (1500-1650), Habsburgische Residenzen und Sammlungen, die Rezeption der italienischen Kunst außerhalb Italiens, die Kultur des Portraits sowie das Nachleben der Antike.

Weitere Texte von Walter Cupperi bei DIAPHANES

»You Could Have Cast Two Hundred of Them«. Multiple Portrait Busts and Reliefs at the Court of Charles V of Habsburg
In: Walter Cupperi (Hg.), Multiples in Pre-Modern Art

p€ 14,95
Never Identical: Multiples in Pre-Modern Art
In: Walter Cupperi (Hg.), Multiples in Pre-Modern Art

p€ 14,95

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Themen

Sprache

Typ

Zugang

Format

Kategorien

Zeitlich

Geographisch

Nutzerkonto

The making of artifacts in more than one specimen

7–30

Walter Cupperi

31–58

Miranda Marvin

59–94

Andreas Grüner

95–120

Joanna Olchawa

121–146

Wolfgang Brassat

147–172

Claudia Kryza-Gersch

173–200

Walter Cupperi

201–228

Susanne Kubersky-Piredda

229–244

Stefano Pierguidi

245–270

Marjorie Trusted

271–294

Malcolm C. Baker

In: Walter Cupperi (Hg.), Multiples in Pre-Modern Art

In: Walter Cupperi (Hg.), Multiples in Pre-Modern Art