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Burcu Dogramaci: The Art of Sirens, the Sirens of Art: All That We See or Seem / Is But a Dream within a Dream
The Art of Sirens, the Sirens of Art: All That We See or Seem / Is But a Dream within a Dream
(S. 55 – 82)
p€ 14,95

Burcu Dogramaci

The Art of Sirens, the Sirens of Art: All That We See or Seem / Is But a Dream within a Dream

PDF, 28 Seiten, 0.0 MB

  • Sound
  • Sirene
  • Kulturwissenschaft
  • Literaturwissenschaft
  • Stimme
  • Musik
  • wissenschaft
  • Kulturgeschichte
  • Filmerfahrung
  • Filmästhetik
  • Lebenswissenschaften
  • Kunstgeschichte
  • Medienwissenschaft

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Burcu Dogramaci

Burcu Dogramaci is a professor of art history and Director of the Käte Hamburger Research Centre global dis:connect at the Ludwig Maximilian University of Munich. Her research areas are modern and contemporary art with a focus on exile, migration, and flight; photography; architecture; textile; fashion; and live art. She was the principal investigator (PI) of the ERC Consolidator Project Relocating Modernism: Global Metropolises, Modern Art and Exile (METROMOD) (2017– 2023, https://metromod.net). She is currently working on a book with the working title Island Exile, which is dedicated to the concept of “exîle,” researching artists and intellectuals who sought refuge on islands in and on the threshold of Europe since 1933. Together with Fabienne Liptay and Seraina Winzeler, she is preparing an issue of the journal Repérages dedicated to the work of Isa Hesse-Rabinovitch. Selected recent publications include London Exile: Metropolis, Modernity, and Artistic Migration (Leuven University Press, 2025; first published in German with Wallstein Press, 2024) and Grenze|Granica: Art on the German- Polish Border after 1990, with Marta Smolińska (Böhlau, 2024). She is co-editor of the Yearbook of Exile Studies and the Journal of Art History.
Giuseppe Di Salvatore (Hg.), Fabienne Liptay (Hg.): The Sirenic: Follow the Water, Follow the Sound
p€ 50,00 b€ 45,00

Giuseppe Di Salvatore (Hg.), Fabienne Liptay (Hg.)

The Sirenic: Follow the Water, Follow the Sound
Essays and Studies Across Film and the Arts

PDF, 512 Seiten, 0.0 MB

Broschur, 528 Seiten

“Follow the Water Follow the Sound” is a call and response. Far removed from the associations of seduction and fear that the siren — both as mythological figure and alarm device — has inspired, it is an invitation to another perceptual attunement to our environment. Offering an original perspective, the book imagines the “Sirenic” as a practice oriented towards emergent futures, fabulations of becoming and pedagogies of transformation.

The book engages with notions of singing, voicing and listening that reach into a sonic pluriverse. Through these notions, it provides the grounds for an expanded conception of cinema emerging through sound, music and performance.

Bringing together scholars, curators and artists from across disciplines, the book unfolds as a polyphonic publication. Echoing one another in multiple ways, the authors explore the mythologies and ecologies of water, the poetics and politics of voice, and the invocation of a communal spirit through film and other arts.

 

With contributions by Ruth Baettig, Dalida María Benfield, Elena Biserna, Mattia Capelletti, Giuseppe Di Salvatore, Burcu Dogramaci, Magali Dougoud, Lidia Gasperoni, Alexandra Gelis, Tobias Gerber, Ute Holl, Roberta Ioli, Pauline Julier and Caroline Courrioux, Fabienne Liptay, Gabriel Paiuk, Alice Sartori, Davide Tolfo, Alexandra Tsiamparta, Matthias Maria Wittmann.

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