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Lidia Gasperoni: Sirenic Design
Sirenic Design
(S. 467 – 500)
p€ 14,95

Lidia Gasperoni

Sirenic Design

PDF, 34 Seiten, 0.0 MB

  • Literaturwissenschaft
  • Lebenswissenschaften
  • wissenschaft
  • Stimme
  • Filmästhetik
  • Filmerfahrung
  • Medienwissenschaft
  • Kulturwissenschaft
  • Kunstgeschichte
  • Sound
  • Sirene
  • Kulturgeschichte
  • Musik

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Deutsch

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Lidia Gasperoni

Lidia Gasperoni has been Associate Professor, Co-Director of Design, and member of the Just Environments Cluster at The Bartlett School of Architecture (UCL) since 2024. In the academic year 2025/2026 she co-led the program Design for Performance and Interaction. She is a philosopher and architectural theorist who specializes in the transformative function of experimental media, architectural theory, and design-driven research. Prior to her current position at The Bartlett, she held a postdoctoral research position and taught in the Department of Architectural Theory at TU Berlin from 2018 to 2024. She is the coordinator of the nonprofit association Fieldstations, which promotes spatial research and knowledge in the Anthropocene. Within this framework, she launched and continues to co-curate the educational platform “Anthropocene Pedagogies in Architecture,” which rethinks architectural education in the context of climate change. Her publications include: Versinnlichung (De Gruyter, 2016); Media Agency, ed. with Christophe Barlieb (transcript, 2020); Construction and Design Manual: Experimental Diagrams in Architecture (DOM publishers, 2022); Epistemic Artefacts: A Dialogical Reflection on Design Research in Architecture, ed. with Matthias Ballestrem (AADR, 2023).
Weitere Texte von Lidia Gasperoni bei DIAPHANES
Giuseppe Di Salvatore (Hg.), Fabienne Liptay (Hg.): The Sirenic: Follow the Water, Follow the Sound
p€ 50,00 b€ 45,00

Giuseppe Di Salvatore (Hg.), Fabienne Liptay (Hg.)

The Sirenic: Follow the Water, Follow the Sound
Essays and Studies Across Film and the Arts

PDF, 512 Seiten, 0.0 MB

Broschur, 528 Seiten

“Follow the Water Follow the Sound” is a call and response. Far removed from the associations of seduction and fear that the siren — both as mythological figure and alarm device — has inspired, it is an invitation to another perceptual attunement to our environment. Offering an original perspective, the book imagines the “Sirenic” as a practice oriented towards emergent futures, fabulations of becoming and pedagogies of transformation.

The book engages with notions of singing, voicing and listening that reach into a sonic pluriverse. Through these notions, it provides the grounds for an expanded conception of cinema emerging through sound, music and performance.

Bringing together scholars, curators and artists from across disciplines, the book unfolds as a polyphonic publication. Echoing one another in multiple ways, the authors explore the mythologies and ecologies of water, the poetics and politics of voice, and the invocation of a communal spirit through film and other arts.

 

With contributions by Ruth Baettig, Dalida María Benfield, Elena Biserna, Mattia Capelletti, Giuseppe Di Salvatore, Burcu Dogramaci, Magali Dougoud, Lidia Gasperoni, Alexandra Gelis, Tobias Gerber, Ute Holl, Roberta Ioli, Pauline Julier and Caroline Courrioux, Fabienne Liptay, Gabriel Paiuk, Alice Sartori, Davide Tolfo, Alexandra Tsiamparta, Matthias Maria Wittmann.

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