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Alexandra Tsiamparta: Sirenic Debris
Sirenic Debris
(S. 501 – 516)
p€ 9,95

Alexandra Tsiamparta

Sirenic Debris

PDF, 16 Seiten, 0.0 MB

  • Lebenswissenschaften
  • Medienwissenschaft
  • Sound
  • Sirene
  • Kunstgeschichte
  • wissenschaft
  • Kulturwissenschaft
  • Literaturwissenschaft
  • Kulturgeschichte
  • Filmerfahrung
  • Stimme
  • Musik
  • Filmästhetik

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Alexandra Tsiamparta

Alexandra Tsiamparta is an artist from the Republic of Cyprus, currently based in Thessaloniki, Greece, where she is completing her undergraduate degree in Visual Arts, majoring in sculpture. Her multidisciplinary practice engages with materiality, memory, and the sensorial relationships between objects and their surrounding environments. Drawing inspiration from both built and natural landscapes, she works with a range of materials, from industrial metals to organic elements, exploring the subtle atmospheres and resonances they carry. Composition plays a central role in her process, particularly through the assembly of elements within a space. The environments in which her works appear often become extensions of the work itself, blurring the boundaries between object, space, and atmosphere. Her work has been exhibited in Thessaloniki and Venice.
Giuseppe Di Salvatore (Hg.), Fabienne Liptay (Hg.): The Sirenic: Follow the Water, Follow the Sound
p€ 50,00 b€ 45,00

Giuseppe Di Salvatore (Hg.), Fabienne Liptay (Hg.)

The Sirenic: Follow the Water, Follow the Sound
Essays and Studies Across Film and the Arts

PDF, 512 Seiten, 0.0 MB

Broschur, 528 Seiten

“Follow the Water Follow the Sound” is a call and response. Far removed from the associations of seduction and fear that the siren — both as mythological figure and alarm device — has inspired, it is an invitation to another perceptual attunement to our environment. Offering an original perspective, the book imagines the “Sirenic” as a practice oriented towards emergent futures, fabulations of becoming and pedagogies of transformation.

The book engages with notions of singing, voicing and listening that reach into a sonic pluriverse. Through these notions, it provides the grounds for an expanded conception of cinema emerging through sound, music and performance.

Bringing together scholars, curators and artists from across disciplines, the book unfolds as a polyphonic publication. Echoing one another in multiple ways, the authors explore the mythologies and ecologies of water, the poetics and politics of voice, and the invocation of a communal spirit through film and other arts.

 

With contributions by Ruth Baettig, Dalida María Benfield, Elena Biserna, Mattia Capelletti, Giuseppe Di Salvatore, Burcu Dogramaci, Magali Dougoud, Lidia Gasperoni, Alexandra Gelis, Tobias Gerber, Ute Holl, Roberta Ioli, Pauline Julier and Caroline Courrioux, Fabienne Liptay, Gabriel Paiuk, Alice Sartori, Davide Tolfo, Alexandra Tsiamparta, Matthias Maria Wittmann.

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