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diaphanes

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Gabriel Paiuk: On the Fascination of the Sirenic, Listening, and Other Forms of Knowledge
On the Fascination of the Sirenic, Listening, and Other Forms of Knowledge
(S. 423 – 440)
p€ 9,95

Gabriel Paiuk

On the Fascination of the Sirenic, Listening, and Other Forms of Knowledge

PDF, 18 Seiten, 0.0 MB

  • Filmerfahrung
  • Literaturwissenschaft
  • Kunstgeschichte
  • Medienwissenschaft
  • wissenschaft
  • Kulturwissenschaft
  • Sound
  • Sirene
  • Stimme
  • Lebenswissenschaften
  • Filmästhetik
  • Kulturgeschichte
  • Musik

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Deutsch

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Gabriel Paiuk

Gabriel Paiuk is a composer, sound artist, and researcher whose work interrogates the way material, technical, and collective infrastructures inform the ways we perceive sound. Operating at the threshold of music practices, the wider context of sound in the arts, and the interdisciplinary field of sound studies, his work takes the form of sound installations, compositions for instruments and electronics, and collaborations with other disciplines. He completed his PhD at Leiden University in 2023 and has been a member of the faculty at the Institute of Sonology (KC), The Hague, since 2014. He has published his work in journals and edited volumes by Leuven University Press and Cambridge University Press, the journal American Music, and the Journal of Sonic Studies, among others. His sound installation work has been presented at Gallery W139 (Amsterdam), LI-MA (Amsterdam), Gaudeamus (Utrecht), and Willem Twee Kunstruimte-November Music Festival (‘s-Hertogenbosch). His works for instruments and electronics have been performed by ensembles and soloists such as the oesterreichisches ensemble für neue musik, ASKO ensemble, Kammerensemble Neue Musik Berlin, Maurice Quartet, Francesco Dillon, Reinier van Houdt, and Ensemble Modelo62, among others, across Europe and the Americas. His work Res Extensa was the first sound installation to be awarded the Gaudeamus international composition prize in 2006.
Giuseppe Di Salvatore (Hg.), Fabienne Liptay (Hg.): The Sirenic: Follow the Water, Follow the Sound
p€ 50,00 b€ 45,00

Giuseppe Di Salvatore (Hg.), Fabienne Liptay (Hg.)

The Sirenic: Follow the Water, Follow the Sound
Essays and Studies Across Film and the Arts

PDF, 512 Seiten, 0.0 MB

Broschur, 528 Seiten

“Follow the Water Follow the Sound” is a call and response. Far removed from the associations of seduction and fear that the siren — both as mythological figure and alarm device — has inspired, it is an invitation to another perceptual attunement to our environment. Offering an original perspective, the book imagines the “Sirenic” as a practice oriented towards emergent futures, fabulations of becoming and pedagogies of transformation.

The book engages with notions of singing, voicing and listening that reach into a sonic pluriverse. Through these notions, it provides the grounds for an expanded conception of cinema emerging through sound, music and performance.

Bringing together scholars, curators and artists from across disciplines, the book unfolds as a polyphonic publication. Echoing one another in multiple ways, the authors explore the mythologies and ecologies of water, the poetics and politics of voice, and the invocation of a communal spirit through film and other arts.

 

With contributions by Ruth Baettig, Dalida María Benfield, Elena Biserna, Mattia Capelletti, Giuseppe Di Salvatore, Burcu Dogramaci, Magali Dougoud, Lidia Gasperoni, Alexandra Gelis, Tobias Gerber, Ute Holl, Roberta Ioli, Pauline Julier and Caroline Courrioux, Fabienne Liptay, Gabriel Paiuk, Alice Sartori, Davide Tolfo, Alexandra Tsiamparta, Matthias Maria Wittmann.

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