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Mattia Capelletti: How the Sirens Lost Their Wings: Hearing and Mishearing Siren Songs in Film, Music, and Theory
How the Sirens Lost Their Wings: Hearing and Mishearing Siren Songs in Film, Music, and Theory
(S. 217 – 236)
p€ 9,95

Mattia Capelletti

How the Sirens Lost Their Wings: Hearing and Mishearing Siren Songs in Film, Music, and Theory

PDF, 20 Seiten, 0.0 MB

  • Kulturgeschichte
  • Kunstgeschichte
  • Filmerfahrung
  • Lebenswissenschaften
  • Filmästhetik
  • Sirene
  • wissenschaft
  • Medienwissenschaft
  • Musik
  • Literaturwissenschaft
  • Sound
  • Kulturwissenschaft
  • Stimme

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Mattia Capelletti

Mattia Capelletti is a Turin-based writer and curator for ALMARE, a nonprofit organization focused on contemporary artistic and research practices that use sound as an expressive medium. He holds a PhD in Cultural Studies from the University of Palermo, and a Master’s degree in Cultural Analysis from the University of Amsterdam. His research concentrates on the aesthetics, politics, and technologies of the human voice across theory and different time-based artistic disciplines. His writings have appeared in numerous art magazines, books, and scientific journals.
Giuseppe Di Salvatore (Hg.), Fabienne Liptay (Hg.): The Sirenic: Follow the Water, Follow the Sound
p€ 50,00 b€ 45,00

Giuseppe Di Salvatore (Hg.), Fabienne Liptay (Hg.)

The Sirenic: Follow the Water, Follow the Sound
Essays and Studies Across Film and the Arts

PDF, 512 Seiten, 0.0 MB

Broschur, 528 Seiten

“Follow the Water Follow the Sound” is a call and response. Far removed from the associations of seduction and fear that the siren — both as mythological figure and alarm device — has inspired, it is an invitation to another perceptual attunement to our environment. Offering an original perspective, the book imagines the “Sirenic” as a practice oriented towards emergent futures, fabulations of becoming and pedagogies of transformation.

The book engages with notions of singing, voicing and listening that reach into a sonic pluriverse. Through these notions, it provides the grounds for an expanded conception of cinema emerging through sound, music and performance.

Bringing together scholars, curators and artists from across disciplines, the book unfolds as a polyphonic publication. Echoing one another in multiple ways, the authors explore the mythologies and ecologies of water, the poetics and politics of voice, and the invocation of a communal spirit through film and other arts.

 

With contributions by Ruth Baettig, Dalida María Benfield, Elena Biserna, Mattia Capelletti, Giuseppe Di Salvatore, Burcu Dogramaci, Magali Dougoud, Lidia Gasperoni, Alexandra Gelis, Tobias Gerber, Ute Holl, Roberta Ioli, Pauline Julier and Caroline Courrioux, Fabienne Liptay, Gabriel Paiuk, Alice Sartori, Davide Tolfo, Alexandra Tsiamparta, Matthias Maria Wittmann.

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